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*‘Fragment from self-portrait as a building (bundle of mistakes)’* is a fine metal framework to which all manner of found objects – among which, a desiccated mouse – are attached. This sculpture, which in principle may stand alone, can also be integrated into the larger installation *Fragment from self-portrait as a building* (1993). This is why the work is characteristic for Mark Manders’ oeuvre, where the separate works (as virtual rooms) ultimately all are components of his total *self-portrait as a building*.