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A long and slow panoramic shot describes continuously the space in a room. Chantal Akerman sits on a bed, at first motionless and then, when the camera captures her again, eating an apple. This film is a mysterious self-portrait of the filmmaker at her favourite spot as well as a sort of cinematic still-life, repetitively describing elements in a space. (source: 'Chantal Akerman: Autoportrait en Cinéaste', bij Cahiers du Cinéma: Centre Pompidou, 2004)