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Jozef Peeters personified the avant-garde in Antwerp in the 1920s: abstract painter, tireless promoter of the latest art, international publisher of journals that count: Het Overzicht, De Driehoek. Stops with painting in 1927, and begins again in 1955. Exhibits with G58 Hessenhuis and is much more than an honorary member, always ready to jump in. Versailles illustrates how he departs from reality to obtain a non-figurative result, with occasional notes that reflect a methodical approach.